AWOL by Simon Bus & Alesya Dobysh photo Koko EXG
AWOL by Simon Bus & Alesya Dobysh photo Koko EXG

Maker duo Simon Bus & Alesya Dobysh are rooted in hip-hop and draw inspiration from performers' individuality, visual art and street and club dance styles. In their work, they intertwine distortion, confusion and discomfort with humour.

At AWOL three dancers search for what it means to live in a society of strict rules and set standards. Three men trapped in a system. Military discipline, tight suits, camaraderie and competition.

The performance exposes the tension between individuality and uniformity, between vulnerability and authority. What happens when you break free from a structure dominated by power and expectations? What if a perfectly trained body begins to falter?

Living painting powerfully bends boys will be boys symbolism.
"Dobysh and Bus thus prove themselves once again as the strong professionals they are. Like William Forsythe does with ballet, in AWOL they take the dance techniques they are masters of out of context (performers and creators come from the world of club and street styles). They bend these to their will to shine as abstract 'language'."
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Theatre newspaper * critic's choice Jordi Ribot Thunnissen September 2025

Read more about Simon Bus and Alesya Dobysh

Credits

Concept and choreography

Simon Bus & Alesya Dobysh

Performers

Eloy Cojal Mestre, Kajoinboi, Balder Hansen, Liam McCall

Sound design

Boris de Klerk

Lighting design

Erik van de Wijdeven

Technology

Mathijs Geraerts

A production of

DansBrabant in co-production with SHIFFT, co-sponsored by Norma Fund, iCoDaCo (a project made possible courtesy of Creative Europe) and Bailys Beads Foundation.

Theatre newspaper about AWOL

"Dobysh and Bus thus prove themselves once again as the strong professionals they are. Like William Forsythe does with ballet, in AWOL they take the dance techniques they are masters of out of context (performers and creators come from the world of club and street styles). They bend these to their will to shine as abstract 'language'. The austerity in set and music (a very elegant and ominous sound score with lots of silences designed by Boris de Klerk) reinforces this: The movement score is and remains the thread that holds our attention."

Jordi Ribot Thunnissen - Theatre Newspaper 26 Sept 2025

Read the full review